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News Updates - 15 May 2001
At leisure on an island in Lakshadweep - Los Angeles Times
India's "Land of King's" - Miami Herald

india1_gbfz03ke.jpg (13986 bytes) At Leisure on an Island in Lakshadweep
13 May 2001, Los Angeles Times, By Deborah L. Jacobs

 

At a remote resort in the Arabian Sea, a family finds joy in the simple life.

BANGARAM ISLAND, India—Many of the world's upscale resorts try to create the sensation of being in the middle of nowhere. The one on Bangaram Island, off southern India, really is. It is the only spot in the Lakshadweep Islands - a group of 27 off the southwest coast of the Indian state of Kerala - where tourists can stay overnight. That's because the Bangaram Island Resort, which holds just 60 guests at a time, is the only hotel there.

Bangaram is totally private and pristine. One reason is its location. Because it's 185 miles out in the Arabian Sea and almost completely surrounded by coral reefs, getting there takes some effort: a 1½-hour flight on an 18-seat prop plane operated by Indian Airlines from the port city of Cochin to the island of Agatti, followed by another 1½-hour ride by motor launch. Another is that the Indian government restricts access in an effort to protect underwater life from the intrusions of modern civilization. Visitors must get a permit and must guarantee their reservation at the resort before they leave the mainland.

I spent four blissful days at the Bangaram resort shortly before Christmas with my husband, Ken, and our 3-year-old son, Jack. As first-time visitors to India, we also found it a marvelous retreat from the dust and crowds we encountered touring elsewhere in the country. We included Bangaram Island in our vacation to southern India because we were looking for a place where Ken could dive and Jack and I could enjoy the beach. india0513.gif (4824 bytes)

From our approach across the clear turquoise water, Bangaram, only 128 acres and 4½ miles in circumference, appeared in the distance as a mass of coconut palms. The tide was high when we arrived, and the floating gangplank couldn't bridge the gap between boat and beach. We removed our shoes and socks to wade ashore and didn't put them on again for four days.

Cherry Cherrian, the resort's general manager, was waiting for us on the beach along with members of the hotel's staff, who offered each of us a young coconut with a straw. The coconut water, well known in these parts as a remedy for stomach ailments, quenched our thirst after the journey. Guests who had preceded us were sitting at the bar in bathing suits or heading to the open-air dining hut for lunch as Cherry gave us a five-minute orientation.

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Accommodations were "basic," Cherry reminded us. There were no newspapers, telephones or televisions at the resort. And although it offered a variety of water sports - scuba diving, snorkeling and kayaking - the most popular activity was lounging, he said.

After our long trip, that was fine with me. I spent two hours the first afternoon sleeping in a hammock strung between two trees outside our one-room hut. I awoke at one point to a sound that I thought was rain. But it turned out to be the wind rustling the fronds of the coconut palms above my head.

The resort is operated by the Casino Group of Hotels, an upscale Indian chain, which has taken great pains to preserve the character of the island. There are no manicured paths - all the vegetation, from mangrove trees to wild orchids, is native.

Our hut, under a shady coconut tree and 99 steps from the beach, was minimalist but ample. It was built of concrete with a thatched roof and had windows covered with screens and curtains. A front porch with rattan chairs faced the sea. The room, which measured about 25 by 15 feet, had tile floors and was sparely furnished with rattan night tables, armchairs and a platform bed with a comfortable foam mattress. There was no closet, just hooks to hang our clothes, and that was all we needed. The hut had a refrigerator and a private Western-style bathroom with shower, but there was no hot water.

Wall fixtures gave us enough light for reading, and an electric ceiling fan kept us cool at night, when the temperature outside hovered at 75 degrees. Although gentle breezes throughout the day and cross ventilation in the hut kept insects at bay, the hotel supplied an electric mosquito coil that we used at night to deter no-see-ums. (The electricity came from the hotel's generator.)

Unless we were napping, we spent our days outdoors. Jack and I played in the fine coral sand and splashed in the calm, clear water of the secluded lagoon for much of the time, while Ken, an expert diver, went out each morning on the hotel's dive boat with about 10 other guests.

With 75-degree water and no thermoclines (colder layers of water beneath the surface), Ken didn't have to wear a wetsuit, making him feel like an underwater creature himself, he said. He saw lumbering sea turtles swim by, apparently oblivious to the divers. Solitary white-tipped reef sharks and schools of barracuda cruised for their next meal. And in shallower parts of the reef, delicate but highly poisonous lionfish folded their black-and-white-striped mane-like fins into the coral crevices, while clown fish hid in the anemones.

Since there has been little traffic here from divers or fishermen, the reef fish tend to grow relatively large. But some experienced divers I talked to were disappointed that much of the hard coral was dead because of the effects of El Niño, which several years ago reportedly raised the water temperature by 8 to 10 degrees. Fortunately, the soft coral was thriving, in shades of lavender, peach and mustard, and with the abundant fish life, the underwater world offered enough attractions. Depending on the tides, underwater visibility ranged from 40 to 60 feet outside the lagoon.

Bangaram is a comfortable place for beginning divers to learn the sport. Anees Adenwala, the dive master, diplomatically balanced the needs of experts and neophytes on open-water dives, Ken reported. Experienced divers could pair off with buddies and a guide while Anees accompanied those newer to the sport. High-quality equipment rentals for both divers and snorkelers made it unnecessary to bring our own. Although snorkelers could accompany the dive boat, I preferred the freedom of being able to put on a mask and fins and snorkel around an underwater ledge that dropped suddenly into a coral reef a few yards from the shore. Tropical fish fluttered around me: orange squirrel fish, iridescent green and blue parrotfish, black-and-yellow triggerfish, angel fish, Moorish idol and black-and-white snapper.

Except during mealtime and on the dive boat, we saw very little of the other guests, who during our stay hailed mostly from India, Finland and England. Although staff and guests were mindful of our privacy, the resort had an informal, intimate feeling. Most people went barefoot, no one wore designer outfits and everyone addressed one another by first name. Most of the visitors were couples. And although the staff was very attentive to the needs of our preschooler, particularly at meals, someone thoughtfully had assigned us a room at the outer edge of the property, where we would not disturb others.

Jack, accustomed to all the constraints that come with life in New York City, where we live, found his own kind of heaven on Bangaram Island. For the first time he could run as he pleased, as long as he was within earshot or in our line of sight. He found endless amusement in the coconut trees, picking up the tiny nuts, roughly the size of acorns, that dropped prematurely. And after seeing a much larger coconut fall just yards from him, he took great pride in repeating my explanation about why it had happened: "Gravity pulls everything down."

A large dried-out coconut frond that he found on the beach inspired hours of creative play. Jack used it to drill holes in the sand, took it into the water and pretended it was a fish, and dragged it the quarter-mile distance from the dining hut to our room, creating "train tracks" in the sand.

To islanders these fronds are an important source of fuel. All the cooking at Bangaram is done on wood fires, which made the sumptuous lunch and dinner buffets there all the more impressive. As Indian-food enthusiasts, we found the meals bore little resemblance to the mostly northern-style Indian cuisine we had eaten in the United States. Many of the offerings at Bangaram were vegetarian, including one lentil-based, one tomato-based and one mixed vegetable curry at nearly every meal. The chef was especially inventive with fish, preparing spicy fish fingers and sautéed squid with tamarind and dried coconut flakes. The house specialty was Kerala fish curry, smoky with a dried apple-like fruit called kokum, spicy with chili, turmeric and coriander powders, and creamy with fresh coconut milk made from the surrounding trees.

Except for fish and the coconuts, which are local - the resort buys the nuts from the handful of island inhabitants who technically own the trees - all the food must travel from mainland India to the resort's table. A ship that services all the Lakshadweep Islands brings fresh produce four times a month. In between, the resort relies on whatever can be stored in its deep freezer.

For people who don't like spicy food, there was always something else to eat - plain poached fish, sautéed potatoes, white rice and cucumber. For those with a more adventurous palate, Bangaram was a gourmet's holiday.

The day we left, the chef packed us a box lunch of grilled chicken, biscuits and fruit to eat on the boat that would take us back to Agatti. Just as we exited the coral lagoon, we passed the dive boat full of guests, including some now familiar faces, returning to Bangaram for lunch. As we exchanged friendly waves, I felt a twinge of envy for everything that awaited them.

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Rajasthan Desert, crafts, jewelry define India's `Land of the Kings'
6 May 2001, Miami Herald, By Joan Scobey

Rajasthan, “Land of the Kings,” calls up romantic images of opulent marble palaces in graceful gardens, grand hotels seeming to float in lakes, monumental hilltop forts and bejeweled maharajas sitting in silver howdahs atop elephants.

Yes, it's all still there, along with teeming markets and colorful bazaars where India's sacred cows, having right of way, wander through dirty alleys, silent women in bright red and green and yellow saris carry goods in metal bowls on their heads and the sound track is an uninterrupted cacophony of car, motor bike and auto rickshaw horns.

Today Rajasthan, in the northwest, is one of India's biggest states, a largely unforgiving landscape of deserts and sand dunes, scrubby savanna and rocky hills. For centuries it contained many princely states, each ruled by a powerful leader called a rajput. They constantly fought for sovereignty among themselves, and later, against the Mughal emperors who ruled most of northern India from the early 16th- to the mid-18th centuries.

There were forts all over the countryside. Whenever they were destroyed, the victors needed masons and wood workers to build new cities and strongholds, and weavers, potters and painters to furnish and decorate them.

Babur, descended from both Tamerlane and Genghis Khan, founded the Mughal dynasty in 1526, but its greatest era began 30 years later with his grandson, Akbar. An enlightened Muslim who formed alliances with the Hindus, Akbar's courts were centers of learning even though he himself was illiterate. He, and the two Mughal rulers who followed him, brought skilled artisans, often from Persia, to build and furnish their great forts and monuments. A delicate, refined Mughal style evolved. The Taj Mahal is its exquisite epitome.

In 1658 the golden century of creativity and tolerance ended with the zealot ruler Aurangzeb. The Mughal Empire started to decline. It left a legacy of glorious architecture, art, miniature paintings, jewelry, carpets and, happily, contemporary artisans who are working in the old crafts. The government is encouraging these artisans, and supporting craft centers where visitors can see them at work and buy their products.

One of the best of these centers is in the City Palace of Jaipur, which also houses a museum and the current residence of its benefactor, the Maharaja of Jaipur. Here artisans are making blue pottery, weaving, tie dyeing, block printing, making paper, inlaying brass and re-creating famous miniature paintings on 200-year-old paper with paints made as they were in the past, from the scrapings of natural gemstones.

Both men and women wear glittering gems, burnished gold, finger and toe rings, bangles and bells. Jewelry was a form of portable wealth for warriors on the move. As for women, until the mid-20th Century, they could own no property other than jewelry.

Jaipur is the city for jewelry. Over a hundred years before it was even founded in 1727, the local rajput brought master enamelers from the Punjab, in the north. Today, there are artisans working in the Jauhari Bazaar, the road of gem setters in the old walled Pink City, who claim to be descendants of the original enamelers. Some of their lacquered, striped bangle bracelets sell for a dollar or two.

The magic carpets of India are typically two kinds - cotton, flat-weave dhurries with geometric patterns, usually made by villagers on simple looms, and more sophisticated and expensive knotted cotton or silk pile carpets with intricate floral and curvilinear designs.

India, which produced some of the world's greatest carpets, never really developed a characteristically Indian style. Today, with a government teaching program, thousands of men and boys weave quality rugs, still of mostly Persian design. You'll see demonstrations and eager salesmen in many shops, especially in Delhi. The cost and quality rise with the number of individual knots per square inch.

Delhi, close to the Rajasthan border, was the first home to glazed blue pottery, which the rajputs imported from Persia. Then, in the mid-19th Century, the art of making it moved to Jaipur's School of Fine Arts at the invitation of the maharaja. Throughout Rajasthan, you'll see the yellow, green, white and predominantly blue pottery in a variety of shapes.

The cotton textiles produced in Rajasthan are often masterfully tied and dyed to form delicate plaids and stripes, sometimes embroidered with gold and silver thread.

Around Jodhpur, known for its wood crafts, textiles are stamped with designs cut from teak blocks. The most dazzling fabrics for clothing and wall hangings are sewn with tiny mirrors that catch the light, some believe to ward off evil spirits.

It's a decorative style you can see at Amber Fort where tiny mirrors are embedded in the walls and elaborately carved ceiling of the Sheesh Mahal (the palace of mirrors), and in the Sheesh Mahal suite of the Taj Rambagh Palace.

In Agra, just beyond Rajasthan's border, is the triumph of Mughal art, the Taj Mahal. Shah Jahan built this mausoleum in the mid-17th Century for his beloved wife, who died in childbirth. Its harmonious proportions, scale and serene garden setting exceed the impossible expectations visitors bring to it.

Spiritual descendants of the Taj Mahal artisans now work in Agra ateliers, creating similarly inlaid geometric and floral designs in marble boxes, plates and other objects.

Rooted in the past, the handcrafts of Rajasthan are having a vibrant revival. Marvelously, the rich and varied crafts that crowd colorful bazaars connect the Mughal emperors and rajput warriors of yesterday with the enthralling India today.

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